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Performers:
Pablo Casals (Cello, Conductor), Prades Festival Orchestra, Eugene Istomin (Piano), Rudolf Serkin (Piano), Otto Schulhof (Piano), Alfred Cortot (Piano), Jacques Thibaud (Violin), Nikolai Mednikoff (Piano), Landon Ronald (Conductor), London Symphony Orchestra
Released: 2005, Regis
℗ 2004 Regis Records
© 2004 Regis Records
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Selections
Traditional, C: Song of the Birds (El Cant dels Ocells)
[3:14]
Pablo Casals (Cello), Prades Festival Orchestra Recorded 1950 |
Falla: "Nana" from Popular Spanish Songs (7), for voice & piano, G. 40
[2:13]
Pablo Casals (Cello), Eugene Istomin (Piano) Recorded 1953 |
Traditional, S: Sant Marti del Canigo
[4:26]
Pablo Casals (Cello, Conductor), Prades Festival Orchestra Recorded 1950 |
Beethoven: Variations for cello & piano in E flat major on Mozart's "Bei Männern," WoO 46
[11:02]
Pablo Casals (Cello), Rudolf Serkin (Piano) Recorded 1951 |
Beethoven: Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66
[11:32]
Pablo Casals (Cello), Rudolf Serkin (Piano) Recorded 1951 |
Beethoven: Minuet for piano in G major, WoO 10/2
[2:35]
Pablo Casals (Cello), Otto Schulhof (Piano) Recorded 1930 |
Beethoven: "Scherzo (Allegro) & Trio" from Piano Trio
[6:36]
Pablo Casals (Cello), Alfred Cortot (Piano), Jacques Thibaud (Violin) Recorded 1928 |
Haydn: "Gypsy Rondo (Rondo all'Ongarese)" from Keyboard Trio
[3:14]
Pablo Casals (Cello), Alfred Cortot (Piano), Jacques Thibaud (Violin) Recorded 1927 |
Bach: Suite for solo cello No. 1 in G major, BWV 1007
[2:30]
Pablo Casals (Cello) Recorded 1938 |
Bach: Suite for solo cello No. 3 in C major, BWV 1009
[3:29]
Pablo Casals (Cello) Recorded 1936 |
Editorial Reviews
The influence of Pablo Casals on the history of the cello -- even the history of music itself -- cannot be overstated. He was responsible in large part for establishing the cello's prominence as a solo instrument in the twentieth century and rediscovered the Six Solo Suites of J.S. Bach. Although continually active as a performer, he was also an established composer, conductor, and even diplomat. This collection of shorter works spans more than a quarter century of Casals' recorded legacy, from the 1925 recording of The Swan with pianist Nikolai Mednikov to the 1953 performance of de Falla's Nana with pianist Eugene Istomin. The album stands as a testament not only to Casals' ever-developing technical and musical abilities, but also to the improvement of recording technology. By today's standards, much of Casals' playing may be characterized as being somewhat slow and deliberate, but this certainly does not negate the historical importance of this recording or of the technical and musical trailblazing for which Casals was responsible. The restored sound quality achieved on this Regis disc is rather remarkable considering the age of some of these performances. Attentive listeners will even be able to detect some of Casals' powerful finger strikes and occasional humming along with the music.

