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MP3 Download:
$16.99
Lossless Download:
$20.49
2 CD set:
$15.99
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Performers:
John Williams (Guitar), John Williams (Conductor), John Etheridge (Guitar), Richard Harvey (Tiple), Christopher Laurence (Double Bass), William Goodchild (Conductor), Nicole Tibbels (Soprano), Christopher Gunning (Conductor), Janos Rolla (Conductor, Violin), Franz Liszt Chamber Orchestra
Released: 2007, Sony Classical
℗ 1975, 1981, 1982, 1984, 1986, 1988, 1989, 1991, 1993, 1995, 1996, 1997, 1998, 2000, 2001, 2003 SONY BMG MUSIC ENTERTAINMENT
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Selections
Albéniz: "Asturias (Leyenda)" from Suite española No. 1, for piano, Op. 47, B. 7
[6:04]
John Williams (Guitar) Recorded 1992, Royal Alcázar Palace, Seville, Spain |
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Myers, S: Cavatina (from "The Deer Hunter")
[3:10]
John Williams (Guitar), John Williams (Conductor) Recorded 1996, Whitfield Street Studios, London |
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Bach: "Prélude" from Partita for lute
[4:22]
John Williams (Guitar) Recorded 1992, Royal Alcázar Palace, Seville, Spain |
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Martins, V: Triangular Situations
[3:57]
John Williams (Guitar), John Etheridge (Guitar), Richard Harvey (Tiple), Christopher Laurence (Double Bass) Recorded 2000, Air Studios, London |
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Tárrega: Recuerdos de la Alhambra, for guitar
[3:32]
John Williams (Guitar) Recorded 1982, Air Studios, London |
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Anonymous: Jeux Interdits ("Spanish Romance"), for guitar
[3:19]
John Williams (Guitar), William Goodchild (Conductor) Recorded 1999, Air Studios, London |
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Falla: "Dance" from La Vida breve, opera, G. 35/39 (2 versions)
[3:21]
John Williams (Guitar) Recorded 1995, Air Studios, London |
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Scarlatti: Sonata for keyboard in E major, K. 380 (L. 23) "Cortège"
[4:08]
John Williams (Guitar) Recorded 1987, Fast Forward studios, Victoria, Australia |
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Carillo, A: Como llora una estrella, valse-canción
[3:58]
John Williams (Guitar) Recorded 2003, Air Studios, London |
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Morricone, E: The Mission, film score
[7:11]
John Williams (Guitar), Nicole Tibbels (Soprano), Christopher Gunning (Conductor) Recorded 1996, Whitfield Street Studios, London |
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Editorial Reviews
This double-disc compilation of John Williams' guitar favorites must appear, even to the uninitiated, as a commercial attempt by Sony to milk his catalog to the last possible sale. Without denigrating the guitarist's consummate skills or his usually satisfying achievements, his recordings for Columbia and Sony are repeatedly recycled in different packaging every few years, and likely will be reissued many more times. The Ultimate Guitar Collection could be changed to "penultimate," but even that is too definite a prediction of when this process will stop. That said, the album contains virtually every greatest hit that matters to guitar lovers, and is more than representative of Williams' wide-ranging work, from Baroque to Spanish classics and beyond. The selections are taken from his early, undated sessions for the LP, Echoes of London, and many other dated albums, from 1975's The Four Lute Suites of Johann Sebastian Bach, on through 2003's El Diablo Suelto. Most of the music is relaxing and pleasant, though some of the film themes from John Williams Plays the Movies disrupt the flow of fine solo playing, and are jarring for their bombastic orchestration and emotional insipidity. The sound quality varies substantially between the analog and digital recordings, and is sometimes too loud, even at a middle volume setting.

